Cinematic Composing

Wilshire Blvd, 90010, Los Angeles, United States
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4.94
Based on 18 Reviews

5

94.44%

4

5.56%

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About Cinematic Composing

Cinematic Composing is an online music education school based in Los Angeles uniquely focused on film music composition. Since its inception in 2016, Cinematic Composing has shared its expertise and love of film music development with over 20,000 students around the world and has enjoyed the privilege of offering film scoring masterclasses led by some of the top names in Hollywood including Christopher Young (Spiderman, Sinister, Hellraiser), Dennis Sands (Avengers, Forrest Gump, Back to the Future), Conrad Pope ( Harry Potter, The Hobbit, Godzilla), Christopher Lennertz (The Boys, Ugly Dolls), Javier Navarrete (Pan’s Labyrinth), Lennie Moore (Halo, Call of Duty), and many others. Marc Jovani is the CEO of Cinematic Composing and is an esteemed film composer actively working in the industry with feature films released and/or distributed by Lionsgate, Syfy, FOX, Lifetime, Hallmark Channel, HBO and Netflix among others. At the heart of our model is Momentum, a revolutionary six-month online film scoring program taught by some of the best-known composers and names in the entertainment industry. We also offer high-quality self-contained courses in our main website: Cinematic Composing Our mission is to transform lives by guiding those with a passion for music to embrace their calling, bringing joy and fulfillment through the power of orchestral composition. Momentum - Film Scoring Program Cinematic Composing Marc Jovani - Film Composer

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Theresa R
GB

Bootcamp for Beginners Overall I was very happy with the Momentum program. The only reason for my rating of 4 stars vs 5 is because as a beginner, I felt overwhelmed. I was still learning my DAW when I began and the technical hurdles were incredibly challenging. I was using Logic and most of the classes / videos were taught on Cubase. There was so much information to be taken in and a very intense time schedule to complete the assignments that I felt I was barely keeping my head above water. I often thought I would have gotten more out of the program had I had more experience under my belt. All that being said, I persisted with the program, managed to keep up and in the end emerged with a tremendous amount of experience, knowledge and confidence in my ability that quite possibly would have taken me years to achieve.

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Dhr. J.J. Mulder
NL

This course is absolute wonderful This course is absolute wonderful. I was one of the founding course members that started in february 2022. It has been a great experience. I learned so much in the six months that I followed this course, to get reviews from well-known composers like Javier Navarette, Christopher Young and Matthew Fisher is so valuable. The expertice of Marc Jovani is outstanding, besides that he is a really kind person and very patient. The lessons and streams with Marc were refreshing and clear. In particular the technical support was really helpful. The way he explaines is so good, it has been an honour to be a part of this and it was one of the most wonderful experiences of my life. I really recomend this course.

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Risha Shine
GB

Momentum Gave Me Hope Prior to joining Momentum, I'd gone to traditional conservatory and while it was a great experience to have, it was very much rooted in a different culture when it came to the music I wanted to create as a composer and the music they were trying to push me in the direction of. The Momentum program, and Cinematic Composing as a whole, allowed me to score music to film in a way that spoke to me and not to how the instructors wanted my finished product to sound. My creative voice was respected and Momentum allowed me to challenge myself by pushing my creative boundaries without losing my creative voice in the process. Before Momentum, I felt like I wouldn't be able to write music others would/could appreciate due to my experience in conservatory, but Momentum helped me prove to myself that my creative voice is valuable and gave me hope for my creative career.

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Felipe Moreno
GB

It met and exceed all expectations I had I am so glad to share my experience about the Momentum program. I really think that my music improved a lot thanks to it, I met a lot of great composers that I still keep contact, I had some job opportunities, and most important, thanks to the work I did in Momentum, I got accepted into the Screen Scoring Master degree program at USC that I am currently attending. I am really glad about the decision to take this course. Hello, My name is Felipe, I am a chilean composer and I was part of the 3rd cohort that finished around Dec 22. I would like to share you my experience with Momentum to help you in your decision. Before Momentum I was preparing my application for studying a Screen Scoring Master degree (2024) at the University of Southern California, but even though I did an 8 year Bachelors degree in composition, It was very slow and hard to prepare the mockups. I’ve been following Cinematic Composing since a lot time, and almost all the orchestral programing that I have learned has been from Marc. So I really saw a great opportunity by learning on a high level program with Marc. I thought it was going to improve my application. So I took the call the Marc and he promised me that after the course I will “composed faster” “make music that sounds good” “learn how to score to picture” “end up with a good portfolio” and “help with my application”. And Momentum program met and exceeded all expectations I had. I got accepted into USC thanks to almost 80% of everything I did in Momentum. But most important, DURING this program the tools that Momentum gave me were essential to maintain myself in the program and follow the phase. I was thankful for Momentum before USC and during USC. Also, thanks to the reel that I made in this course, a lot of directors from USC contacted me for scoring their short-films. I really recommend Momentum and it doesn’t matter the level where you are right now. In my cohort there were very experienced composers, and others that have started in music since a couple of years, and we saw a big improvement in everyones music. But you have to be aware that this is a serious program. The progress that you will earn is completely up to you. If you want to do just what the assignments require is fine, but (and this is what I did) since you have all the Cinematic Composing library, you can really take your time and go deeply in the resources available for delivering a better music. You will have to invest time in this training to really grow the most out of it. I think the hardest part of the decision is the cost of the program. It is expensive, there is no doubt about it. I only can say that I am really satisfied with my decision. It was an investing on my future because music is the only plan that I have for a living, I don’t have other option. I am really happy with the outcome, after Momentum I really felt I was prepared for working in film scoring and had tools for looking for potential jobs. I hope my experience will help you to take the best decision. At the end, it really has to be with what is on your heart and your possibilities. If you are really willing to learn a high level workflow and if you are willing to invest for it. No program in the world, not even USC, can guarantee you a job or stability, but if you are around the right people and you have the possibility to learn from the right people, chances are that something great can happen.

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Danielle OHallisey
GB

Skills, community and an insider's view of media composing Let's face it, you can spend years learning how to compose, mix, record, use plug-ins... but you're still on the outside, looking in. With Momentum's expert instruction and opportunities to directly meet with industry insiders, you suddenly walk through the doors and begin learning to become a professional composer. Warning though; if you come into this with a fantasy view of what it is to be a media composer, you will come away either humbled or disappointed. We all want to be the next John Williams or Johann Johannsson, but the core of our craft is to become the best version of ourselves that we can become and find a way to make that work in the real world. In the few months since the class, I've signed on with an indy film (that may or may not ever get made, but living with that is also part of the training), have begun work on an orchestral piece and am continuing to build my skills, community and demo reel. This might have happened without Momentum, but I guarantee that it would have taken a whole lot longer!

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