Dhr. J.J. Mulder
NLThis course is absolute wonderful This course is absolute wonderful. I was one of the founding course members that started in february 2022. It has been a great experience. I learned so much in the six months that I followed this course, to get reviews from well-known composers like Javier Navarette, Christopher Young and Matthew Fisher is so valuable. The expertice of Marc Jovani is outstanding, besides that he is a really kind person and very patient. The lessons and streams with Marc were refreshing and clear. In particular the technical support was really helpful. The way he explaines is so good, it has been an honour to be a part of this and it was one of the most wonderful experiences of my life. I really recomend this course.
Danielle OHallisey
GBSkills, community and an insider's view of media composing Let's face it, you can spend years learning how to compose, mix, record, use plug-ins... but you're still on the outside, looking in. With Momentum's expert instruction and opportunities to directly meet with industry insiders, you suddenly walk through the doors and begin learning to become a professional composer. Warning though; if you come into this with a fantasy view of what it is to be a media composer, you will come away either humbled or disappointed. We all want to be the next John Williams or Johann Johannsson, but the core of our craft is to become the best version of ourselves that we can become and find a way to make that work in the real world. In the few months since the class, I've signed on with an indy film (that may or may not ever get made, but living with that is also part of the training), have begun work on an orchestral piece and am continuing to build my skills, community and demo reel. This might have happened without Momentum, but I guarantee that it would have taken a whole lot longer!
Theresa R
GBBootcamp for Beginners Overall I was very happy with the Momentum program. The only reason for my rating of 4 stars vs 5 is because as a beginner, I felt overwhelmed. I was still learning my DAW when I began and the technical hurdles were incredibly challenging. I was using Logic and most of the classes / videos were taught on Cubase. There was so much information to be taken in and a very intense time schedule to complete the assignments that I felt I was barely keeping my head above water. I often thought I would have gotten more out of the program had I had more experience under my belt. All that being said, I persisted with the program, managed to keep up and in the end emerged with a tremendous amount of experience, knowledge and confidence in my ability that quite possibly would have taken me years to achieve.
Gregory Bolomey
GBMomentum Program The Momentum program has been highly rewarding. The instructors were inspiring, constructive, and always there to help. The access to the library of course and masterclasses is a fantastic supplemental resource along side the program. The Masterclasses and 1 on 1 challenges were some of the most inspiring I've taken part in. One of the best parts of the course was being able to connect with your classmates and build new and lasting friendships, some of whom I've now started a media production company with. Marc and company have provided an immersive and creative space to help kick start your compositional journey.
Dick Donner
GBMomentum - a Total Emersion Experience The Momentum program from Cinematic Composing is a well-organized deep dive into all the facets of composing music for the entertainment industry and beyond. It is a program like few others, designed for the individual who is serious about learning how to compose music for cinema, television, video games and other formats where music plays an important role. Every detail of the art is covered in depth during the 7 to 8 month course, the most valuable feature of which is frequent one-on-one detailed feedback from accomplished individuals who have made their mark in the industry. The latter would be nearly impossible to receive under normal circumstances, but it is offered in Momentum in an organized, constructive format that is quite enjoyable. Momentum is not a course to be taken in one's spare time. Most participants remained completely immersed in the lessons, homework and evaluations for many hours each day, often spending additional hours in the late evening to complete a composition assignment. The curriculum extends well beyond the essentials of cinematic composing to more advanced concepts and includes very practical aspects such as the use of hardware and software, interacting with directors and producers and how to make yourself known to those who might hire you for a project. The methodology includes videos, frequent live chats with all members of the class (limited to about 20 individuals) and evaluation sessions. Near the end of the course, the class assembled in Los Angeles for a weekend of study, live recording of individual compositions and general comradery. The course of study compares to a graduate level college offering and is well worth the expense. I was a member of the very first Momentum group and I am happy to learn that some of the content and procedures have been altered to make the experience even better. Pre-existing knowledge of music theory varied considerably among my classmates but there was ample opportunity and resources to supplement skills, where lacking. For example, some facility with the piano is necessary, and although my abilities were markedly limited (I am a woodwind player), I was able to acquire enough skill to be very comfortable and productive. Although the course was designed to serve the younger individual who wishes to begin a career in cinematic composing, I accepted the challenge in my mid-70's solely for the pleasure of learning a new subject. However, I now find myself writing music for my own enjoyment and variety of small projects.