Suz
GBAmazing training by an amazing coach I gained a lot of knowledge and had a lot of insights. the guidance we received every week was great. Ivan really cares about his students and freely shares the experiences he makes in the music industry. He is a fine producer with a great ear who can point out in a clear and concise way what the problems with a student's composition or mix are. We also had access to his massive library of training normally only available on the 'Ultimate Producer' course—free of charge. His openness and level of sharing are invaluable for someone who wants to make it in the industry. The course is perfect for someone who wants to acquire the knowledge to make it in the industry and be held accountable every week.
Wendy Liu
CAElevate Program Elevate was a game-changer for my music overall! Before starting, I had no idea where I was going when it came to music production, I was unaware of what areas needed improvement, I just knew something didn't sound right. After Elevate, I now have the tools to finish song ideas and know how to address issues I am hearing in my productions! I have full confidence to make and release music now, not only have I learned a lot of music production skills, but this program also helped shift my mindset.
Ber Dotro
GBQuality degraded compared to before Used to be great but now it's just a money making business. The subscription is 5 times more expensive than before, the platform itself (updated) is horrible compared to the forum it was based on before where you could really collaborate and communicate with artists in a simple and creative way. There's the content and video tutorials created by the founder IllFactor that are useful and all, but not really worth 500$ / year. Better save the money and invest in buying gear and tools to make music.
D. Correa
GBI really enjoyed this Program I really enjoyed this Program. Some of my huge take aways was to build relationships with people that like creating music like me and how important the Motif is to music. The things I would have like to have seen; that everyones music put into the DAW so we can solo the songs and hear the difference and make adjustments (like oh wow I like how this person kick or bass sounds etc; this would have been definitely helpful during mastering week) even though we got all of our songs reviewed, comparing the ‘sonics’ and others song choices a little closer would have been more efficient and effective. I believe one of the things that the music community ‘as a whole’ is missing is “yeah everyone can hear what plugin or vst that pro is using, but the sound selection and sonic comprehension is just as important” and that should have been the main driving point because how sounds are sitting and moving inside the speakers are what drives people to listen.
Kit Grenon
NZWhy I have stuck with Beat Academy I had looked at some other music websites before and they were good, but I didn't hang with them. I came across Beat academy through a web search, signed up and have stuck with it since. Ivan is a very competent producer and a great teacher to go with it. I love his monthly song critique meets on line. whether your song or others are critiqued, I always learn a lot stuff I can be aware of and take to my own music. Ivan is passionate about what he does, loves encouraging people and is never disrespectful to any one. He is also honest and holds you to industry standards. the community is great to hang out with and is another source to encourage and receive encouragement from peers. B.A also provides opportunities to take on projects, collaborations and some professional opportunities. I could go on, but I don't want to write a novel. I would point any one who is serious about music production to sign up to Beat Academy.